The Wall
THE WALL
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Issue #8
A Word Issue 8
Table of Contents
an embrace...
POCKET ANTHOLOGY
>
New Turkish Writing
Not to Sound Vulgar
Yasemin
Hot Skull
The Sheep of Slumber
Emine's Deliverance
IN SIGHT: "...the greatest of these..."
MEMOIR
PORTFOLIO
>
GHOSTS
CANTICLES
>
Robin
Hawk
ESSAY
>
Translation
IN SIGHT—Shhhh!
¡VIVA!
>
Dr. John
Stonewall-50 years
REMARKABLE READS
>
Y'ol
Planned Exit
Summer Reads
COLOPHON
>
Flights of the Fabulous
Contributors
Issue #7
A Word: Year 3
Table of Contents Issue 7
FILM
>
Asphalt Muscle Bone
MEMOIR
>
Chris Sawyer-Lauçanno
InSight
FICTION
>
Meeting Again
Moon
The Hole Man
Dreadlocks
Shining Pathology
POETRY
>
Patricia Pruitt
Marithelma Costa
Malthilde Xue
PORTFOLIO
>
MIgration - Chris Wynter
InSight
ESSAYS
>
The Short Story
Lament
Goulash: an Interview
¡VIVA!
>
Living Work-James Tate
Ferlinghetti
Three Poems
Schneeman
Selhan Endres
Colophon
Contributors
Extra!
News
News & Links
Back Issues
Issue #6
Issue #5
Issue #4
Issue #3
Issue #2
Issue #1
More
Submissions
THE WALL
About Us
Contact
Issue #8
A Word Issue 8
Table of Contents
an embrace...
POCKET ANTHOLOGY
>
New Turkish Writing
Not to Sound Vulgar
Yasemin
Hot Skull
The Sheep of Slumber
Emine's Deliverance
IN SIGHT: "...the greatest of these..."
MEMOIR
PORTFOLIO
>
GHOSTS
CANTICLES
>
Robin
Hawk
ESSAY
>
Translation
IN SIGHT—Shhhh!
¡VIVA!
>
Dr. John
Stonewall-50 years
REMARKABLE READS
>
Y'ol
Planned Exit
Summer Reads
COLOPHON
>
Flights of the Fabulous
Contributors
Issue #7
A Word: Year 3
Table of Contents Issue 7
FILM
>
Asphalt Muscle Bone
MEMOIR
>
Chris Sawyer-Lauçanno
InSight
FICTION
>
Meeting Again
Moon
The Hole Man
Dreadlocks
Shining Pathology
POETRY
>
Patricia Pruitt
Marithelma Costa
Malthilde Xue
PORTFOLIO
>
MIgration - Chris Wynter
InSight
ESSAYS
>
The Short Story
Lament
Goulash: an Interview
¡VIVA!
>
Living Work-James Tate
Ferlinghetti
Three Poems
Schneeman
Selhan Endres
Colophon
Contributors
Extra!
News
News & Links
Back Issues
Issue #6
Issue #5
Issue #4
Issue #3
Issue #2
Issue #1
More
Submissions
Tim Milk, La Spirita, a portrait of Ana Mendietta, (2018); acrylic on canvas, 16” X 12”
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