CABLE STREET (formerly WITTY PARTITION)

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  • ISSUE 18: Cable St.
    • Table of Contents
    • A WORD
    • InSight Visitor
    • COLLOQUY >
      • Interview: Nandana Dev Sen
      • Poems: Nabaneeta Dev Sen
      • Read, See, Hear More
    • POETRY >
      • Trish Crapo
      • Kelly Egan
      • Michael Franco
    • TRANSLATION >
      • INTRODUCTION: Babel
      • Translation-and-Tradition
    • DRUMMINGS >
      • Djembe
    • Christina Lago
    • Editors' Pocket Anthology >
      • Our Reflections
    • Insight2 Seasonal
    • Troublemaker
    • MEMOIR-18
    • PORTFOLIO >
      • Nuran Akkaya
    • Ngugi
    • Vintage Amphora
    • ¡VIVA! >
      • Peter Brook
      • A FLOCK
    • SOUNDINGS >
      • Jimi Zhivago
    • REMARKABLE READS >
      • Paul Mugur
      • Brandon Rushton
      • Marcela Sulak
    • COLOPHON
    • Contributors18
  • ISSUE 17
    • Table of Contents
    • A WORD17
    • InSight 1
    • Flash Pocket >
      • Flash fiction intro
      • Susanna Drbal
      • Melanie Bush
      • Matt Gordon
    • POETRY >
      • G. Greene
      • Norman Fischer
      • David Robertson
      • Lisa Bourbeau
    • Essays >
      • THE BARD-
      • LORCA IN CUBA
    • Ad Astra >
      • Beatrix Gates
    • Romanian Pocket >
      • Seven Romanians
    • URBAN LEGENDS >
      • Randolph Petsche
    • CANONIZATION >
      • Steve Cannon
    • Soundings >
      • Cheb Khaled
    • MEMOIR-17
    • PORTFOLIO >
      • Couteau and David
    • Ngugi
    • Vintage InSight
    • REMARKABLE READS >
      • NOSTALGIA
      • ROTURA
      • Tiller of Waters
      • Sentsov
    • SUMMER READS >
      • Ninso John High
      • Rimbaud
      • Kaminsky
    • COLOPHON
    • Contributors17
  • Back Issues
  • EXTRA!
  • ABOUT
    • About Us
  • CONTACT
    • Contact
    • Submissions
  • NEWS
    • News
    • LINKS
  • ISSUE 18: Cable St.
    • Table of Contents
    • A WORD
    • InSight Visitor
    • COLLOQUY >
      • Interview: Nandana Dev Sen
      • Poems: Nabaneeta Dev Sen
      • Read, See, Hear More
    • POETRY >
      • Trish Crapo
      • Kelly Egan
      • Michael Franco
    • TRANSLATION >
      • INTRODUCTION: Babel
      • Translation-and-Tradition
    • DRUMMINGS >
      • Djembe
    • Christina Lago
    • Editors' Pocket Anthology >
      • Our Reflections
    • Insight2 Seasonal
    • Troublemaker
    • MEMOIR-18
    • PORTFOLIO >
      • Nuran Akkaya
    • Ngugi
    • Vintage Amphora
    • ¡VIVA! >
      • Peter Brook
      • A FLOCK
    • SOUNDINGS >
      • Jimi Zhivago
    • REMARKABLE READS >
      • Paul Mugur
      • Brandon Rushton
      • Marcela Sulak
    • COLOPHON
    • Contributors18
  • ISSUE 17
    • Table of Contents
    • A WORD17
    • InSight 1
    • Flash Pocket >
      • Flash fiction intro
      • Susanna Drbal
      • Melanie Bush
      • Matt Gordon
    • POETRY >
      • G. Greene
      • Norman Fischer
      • David Robertson
      • Lisa Bourbeau
    • Essays >
      • THE BARD-
      • LORCA IN CUBA
    • Ad Astra >
      • Beatrix Gates
    • Romanian Pocket >
      • Seven Romanians
    • URBAN LEGENDS >
      • Randolph Petsche
    • CANONIZATION >
      • Steve Cannon
    • Soundings >
      • Cheb Khaled
    • MEMOIR-17
    • PORTFOLIO >
      • Couteau and David
    • Ngugi
    • Vintage InSight
    • REMARKABLE READS >
      • NOSTALGIA
      • ROTURA
      • Tiller of Waters
      • Sentsov
    • SUMMER READS >
      • Ninso John High
      • Rimbaud
      • Kaminsky
    • COLOPHON
    • Contributors17
  • Back Issues
  • EXTRA!

Cable. Street.

Picture
Tubing (called conduit) for fiber optic cable.
A man digs a deep hole in my front lawn, next to the street. It’s a neat hole cut along a spray-painted rectangle. While he digs, the man sings on and off to classic rock on a phone app. Aerosmith, then maybe Sammy Hagar, who is a rock god in St. Louis.

Soon other men come. They put orange plastic tubing into the hole, then thread it along the clot of underground cable that is already there. Their app streams Mexican hip hop. They give each other instructions in Spanish. Another man walks by. Everyone switches to English to talk with the new arrival, who has a different accent. He could be Bosnian. St. Louis has largest Bosnian population outside of Bosnia. They all bob a little to the infectious Spanish rap.             

In a few days, once all the holes have been dug and orange tubing snakes through the neighborhood, the men will push and pull fiber optic cable through the tubing. It reminds me of the way I push and pull that drawstring on my son’s hoodie, weaving it back through its casing after it got yanked out in the wash.

When I do chores like that, I listen to music on You-Tube: Enya, Bach’s choral Saint Matthew's Passion, or clicking and re-clicking a video of Steve Winwood and Eric Clapton doing “Can’t Find My Way Home,” which is a Platonic form of good. Cables get electrons to the phone, lyrics in every language, beats from every culture. The fiber optic cables will get the sounds there even faster, to ease the push and pull of any human task. Cable in the street:

This is how we sing.
​
—Dana Delibovi

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