Issue 6, Volume I
Bronwyn Mills holds an MFA from UMass, Amherst, and a Ph.D. from NYU where she was an Anais Nin
Fellow. Later a Fulbright Fellow (La République du Bénin, West Africa) she travels widely, and has lived in New York City,
Istanbul, Turkey; Latin America; and Paris, France. For many years a dance and theatre writer for regional arts publications in
New England, she is also a Senior prose editor for Tupelo Quarterly. Books include Night of the Luna Moths (poetry,) Beastly's
Tale (a fabulist novel); and she is currently working on Canary Club, a novel set in medieval Spain. Her work has appeared in
IKON, Frigate,Talisman: a Journal of Contemporary Poetry and Poetics, Tupelo Quarterly, and most recently in Agni Online.
She guest-edited the Turkish issue of Absinthe; New European Writing (#19.) Bronwyn has taught at Stevens Institute of
Technology; Kadir Has University in Istanbul; and Abomey-Calavi in Bénin. From time to time she publishes work on African
vodou. Bronwyn lives and writes in a tiny mountain village far, far away. Read more at https://bronwynmills.org/
Eric Darton has published a number of books, including the New York Times bestseller Divided We Stand: A
Biography of The World Trade Center (Basic Books, 1999, 2011), and Free City, a novel, (WW Norton, 1996). He is also the author
of an ongoing work of free scholarship, Book of the World Courant, available at www.bookoftheworldcourant.net. Recently his
essays have been published in Tupelo Quarterly www.tupeloquarterly.com. More of his work may be found at
www.ericdarton.net and here at The Wall. Darton leads Writing at the Crossroads, a workshop for prose writers, a sampling of
whose work appears in issue 2.
Hardy Griffin has a Ph.D. from Boğaziçi University. He has published translations in the Istanbul Biennial,
Words Without Borders, and for the award-winning photographic study Armenians, which documents the lives of
Armenians living in contemporary Turkey. He has published writing in Alimentum, Assisi, The Washington
Post, American Letters & Commentary, and a chapter in Writing Fiction (Bloomsbury, 2003).
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